READ AT YOUR OWN RISK. La La Land, director Damian Chazelle’s critically beloved new film, is at first glance a story as glossy, dreamy, and surface-level glam as the city for which it’s named Music lies at the Technicolor heart of Damien Chazelle’s dreamy, jazz-infused La La Land.The director worked with composer Justin Hurwitz to draft the music and melodies alongside the La La Land has been described by various critics as a “love letter” to lots of things: to Hollywood, to musicals, to dreamers, to LA, even to romance itself. It is, to an extent, all these things. Its familiar story (cynical, frustrated male creative seeks wide-eyed female creative, for the mutual following of dreams) necessarily La La Land (2016) by Damien Chazelle. December 27, 2016. Review by Andrew Swafford. Of all 2016’s critical darlings, the rare original musical La La Land is perhaps beloved most of all, with any outlying detractors being dismissed as “more-disaffected-than-thou film twitter bros” who decided to hate it before watching. An aspiring actress and a dedicated jazz musician fall in love in modern-day Los Angeles. La La Land (Credits) Japanese Folk Song. 00:09 Justin Hurwitz. Mia Gets Home. 00:10 Justin Hurwitz. The song in the 2016 film “La La Land” is the reason Mia and Sebastian meet and it is a continued theme throughout the movie. Mia Hates Jazz. 9. Herman’s Habit. 10. Rialto at Ten. 11 READ MORE: ‘La La Land’ Soundtrack: Listen to Justin Hurwitz’s Romantic, Jazzy Score “La La Land” follows Stone as Mia, an aspiring actress who struggles to make it in Hollywood. Justin Hurwitz’s original score derives inspiration from the film’s jazz club settings. Hip vibraphone and acoustic bass introduce “Classic Rope-a-Dope” before muted brass and a pirouetting flute join in on the swanky fun. In “Mia & Sebastian’s Theme,” the romantic feel is strewn with bravura piano improvisations, hinting at an .

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